This page was created by Anonymous. 

From Wharton to McClure's to Appleton to Macmillan: Journey of "Summer" from Manuscript to Print

Comparative Chart by Category: Punctuation

     “Punctuation” is one of the major categories since a significant amount of variations can be noticeable across the editions. Majority of the alterations in punctuation have been made for grammatical accuracy and stylistic consistency and some of the changes made in the FBE are identical to the corrections found in Wharton’s copy of the FAE of Summer.  For example:
 
FAEEWPFAEFBE
. . . and with the fading of the landscape those fervid hours had faded, too. (274). . . and with the fading of the landscape those fervid hours had faded too. (274). . . and with the fading of the landscape those fervid hours had faded too. (144)

    While skimming through the MME, I noticed that MME is closer to the FBE in terms of using commas to separate modifiers when two modifiers are placed before a noun. However, as the chart illustrates, MME is more consistent than the FBE in terms of using comma to separate modifiers.
 
Chapter
&
Criteria
MSS

*YCAL MSS 42 box 12 f. 351
MME

*Chapter 1 appears in February 1917 issue
 FAE  EWPFAE
 
FBE
 
Ch 1
Punc
 
. . . asked in a pleasant abrupt voice; (10)
 
. . . asked in a pleasant, abrupt voice; (8)
 
. . . asked in a pleasant abrupt voice; (15)
 
. . . asked in a pleasant abrupt voice; (15)
 
. . . asked in a pleasant, abrupt voice; (7)
 
Ch 1
Punc
There it lay, a weather-beaten sunburnt village of the hills . . . (5)There it lay, a weather-beaten, sunburnt village of the hills . . . (8)There it lay, a weather-beaten sunburnt village of the hills . . . (10)
 
There it lay, a weather-beaten sunburnt village of the hills . . . (10)
 
There it lay, a weather-beaten sunburnt village of the hills . . . (5)
Ch 1
Punc
. . . the tall cobwebby volumes from a distant shelf. (12)
 
. . . the tall, cobwebby volumes from a distant shelf. (8)
 
. . . the tall cobwebby volumes from a distant shelf. (16)
 
. . . the tall cobwebby volumes from a distant shelf. (16)
 
. . . the tall cobwebby volumes from a distant shelf. (7)
 

For a detailed discussion on the impact of punctuation variations, visit Literary Analysis section.


Comparative Chart: Punctuation  

 
No.Chapter
&
Criteria
Summer,
First American Edition (FAE)
Summer,
First American Edition

with Wharton’s corrections (EWPFAE)
 
Summer,
First British Edition
(FBE)

 
  1.  
Ch 1
Punc
The springlike transparent sky shed a rain of silver sunshine on the roofs of the village, and on the pastures and larchwoods surrounding it. (7)
 
 The spring-like transparent sky shed a rain of silver sunshine on the roofs of the village and on the pastures and larchwoods surrounding it. (3)
  1.  
Ch 1
Punc
. . . he wore city clothes, and that . . . (8)
 
 . . . he wore “city clothes,” and that . . . (3)
  1.  
Ch 1
Punc
But about a year before, Mr. Miles, the new . . . (9)
 
 But about a year before Mr. Miles, the new . . . (4)
  1.  
Ch 1
Punc
 
. . . occasion in her life: “My child, you must never cease to remember that it was Mr. Royall who brought you down from the Mountain.” (11)
 
 . . . occasion in her life, “My child, you must never cease to remember that it was Mrs. Royall who brought you down from the Mountain.” (5)
  1.  
Ch 1
Punc
 
. . . aware of Annabel Balch of Springfield, . . . (12)
 
 . . . aware of Annabel Balch, of Springfield, . . . (6)
  1.  
Ch 1
Punc
 
. . . with a listless step she took off . . . (14) . . . with a listless step, she took off . . . (6)
 
  1.  
Ch 1
Punc
 
 . . . the long vault-like room, his hands . . . (14)
 
 . . . the long, vault-like room, his hands . . . (7)
  1.  
Ch 1
Punc
 
. . . asked in a pleasant abrupt voice; (15)
 
 . . . asked in a pleasant, abrupt voice; (7)
  1.  
Ch 1
Punc
 
. . . thread of his remark, did not . . . (15)
 
 . . . thread of his remark did not . . . (7)
  1.  
Ch 1
Punc
 
. . . rejoined with a sigh: “I’m afraid I can’t help you much.” (15)
 
 . . . rejoined with a sigh, “I’m afraid I can’t help you much.” (7)
  1.  
Ch 1
Punc
 
. . . bewilderment was complete: the more . . . (17)
 
 . . . bewilderment was complete; the more . . . (8)
  1.  
Ch 1
Punc
 
. . . a limp weakly book that . . .  (18) . . . a limp, weakly book that . . . (9)
  1.  
Ch 1
Punc
 
. . . he said again. She knew . . . (19) . . . he said again; and she knew . . . (9)
  1.  
Ch 2
Punc
. . . emerged was still empty: and after glancing up . . . (20)
 
 . . . emerged was still empty; and after glancing up . . . (10)
  1.  
Ch 2
Punc
 
. . . the slope, tossed off her hat and hid her . . . (21)
 
 . . . the slope, tossed off her hat, and hid her . . . (10)
  1.  
Ch 2
Punc
 
. . . at intervals, “Uncle Tom’s Cabin,” or “Opening of a Chestnut Burr,” or Longfellow. (22). . . at intervals, “Uncle Tom’s Cabin,” or “Opening a Chestnut Burr,” or Longfellow. (22). . . at intervals, “Uncle Tom’s Cabin” or “Opening a Chestnut Burr,” or Longfellow. (11)
 
  1.  
Ch 2
Punc
 
. . . lawyer Royall was “the biggest man in North dormer”; (22) . . . Lawyer Royall was “the biggest” man in North dormer; (11)
 
  1.  
Ch 2
Punc
 
. . . a fan-shaped support, which Mr. Royall . . . (23)
 
 . . . a fan-shaped support which Mr. Royall . . . (11)
  1.  
Ch 2
Punc
 
. . . answered shortly, “You ain’t going,” and . . . (25)
 
 . . . answered shortly: “You ain’t going,” and . . . (12)
  1.  
Ch 2
Punc
 
Therefore, when Miss Hatchard sent for . . . (25)
 
 Therefore when Miss Hatchard sent for . . . (13)
  1.  
Ch 2
Punc
 
. . . said Charity harshly; and Miss Hatchard . . . (26)
 
 . . . said Charity, harshly, and Miss Hatchard . . . (13)
  1.  
Ch.2
Punc
He wound up confidentially: “I was a damn fool . . . (28)  “After all,” he said confidentially, “I was a damn fool . . . (14)
 
  1.  
Ch 2
Punc
 
. . . the crash of the cupboard panel, but instead . . . (29). . . the crash of the cupboard panel. But instead . . . (29). . . the crash of the cupboard panel. But instead . . . (14-15)
 
  1.  
Ch 2
Punc
 
. . . heard him, after an interval, unlock the door . . . (29)
 
 . . . heard him unlock the door . . . (15)
  1.  
Ch 2
Punc
 
“See here,” he said at length as though utterance were difficult, “there’s something I’ve been wanting to say to you; I’d ought to have said it before. (33)“See here,” he said at length, as though utterance were difficult, “there’s something I’ve been wanting to say to you; I’d ought to have said it before. (33)“See here,” he said at length, as though utterance were difficult, “there’s something I’ve been wanting to say to you. I’d ought to have said it before. (17)
 
  1.  
Ch 3
Punc
 
. . . Mr. Royall’s “office” that he . . . (36)
 
 . . . Mr. Royall’s office that he . . . (18)
  1.  
Ch 3
Punc
. . . under a different roof; and . . . (36)
 
 . . . under a different roof, and . . . (18)
  1.  
Ch 3
Punc
 
. . . leather, tar and coffee-beans. (37) . . . leather, tar, and coffee-beans. (18)
  1.  
Ch 3
Punc
 
. . . spent either at the store or in driving about the country . . . represented, or in sitting at home reading Bancroft’s History of the United States and the speeches of Daniel Webster. (37)
 
 . . spent either in the store, in driving about the country . . . represented, or in sitting at home reading Bancroft’s “History of the United States,” or the speeches of Daniel Webster. (18)
  1.  
Ch 3
Punc
 
. . . to defend her: his humbled . . . (38) . . . to defend her; his humbled . . . (19)
  1.  
Ch 3
Punc
 
. . . shining super-Nettletons, where girls . . . (39)
 
 . . . shining super-Nettletons where girls . . . (19)
  1.  
Ch 3
Punc
 
. . . despised him; now deep . . . (40) . . . despised him, now deep . . . (20)
  1.  
Ch 3
Punc
 
The next day, when Mr. Royall came back to dinner, they faced . . . (40)
 
 The next day when Mr. Royall came back to dinner they faced . . . (20)
  1.  
Ch 3
Punc
 
. . . from the table, he looked back at Charity, who had . . . (40)
 
 . . . from the table he looked back to Charity, who had . . . (20)
  1.  
Ch 3
Punc
 
. . . across the passage, wondering. (41)
 
 . . . across the passage wondering. (20)
  1.  
Ch 3
Punc
 
. . . told me about that, and about the other . . . (42)
 
 . . . told me about that and about the other . . . (21)
  1.  
Ch 3
Punc
 
. . . unlocked the door and entered into . . . (44)
 
 . . . unlocked the door, and entered into . . . (22)
  1.  
Ch 3
Punc
 
. . . long dingy rows of books . . . (44) . . . long, dingy rows of books . . . (22)
  1.  
Ch 3
Punc
 
She did not cry; tears came hard . . .  (45) She did not cry: tears came hard . . .  (22)
  1.  
Ch 4
Punc
 
. . . know it is; I’m so sorry . . . (46) . . . know it is. I’m so sorry . . . (23)
  1.  
Ch 4
Punc
 
. . . disarmed her: no one had . . . (50) . . . disarmed her; no one had . . . (25)
  1.  
Ch 4
Punc
 
. . . she lives on trifles: I ought to have . . . (51)
 
 . . . she lives on trifles; I ought to have . . . (25)
  1.  
Ch 5
Punc
. . . he had added philosophically, looking . . . (56)
 
 . . . he had added, philosophically, looking . . . (28)
  1.  
Ch 5
Punc
 
. . . he said with his vague grin. (57) . . . he said, with his vague grin. (29)
  1.  
Ch 5
Punc
 
. . . brown house, and go all over . . . (57) . . . brown house and go all over . . . (29)
  1.  
Ch 5
Punc
 
. . . Liff echoed incredulously. (58) . . . Liff echoed, weakly laughing. (29)
  1.  
Ch 5
Punc
 
All I say is: he’s going . . . (58) All I say is, he’s going . . . (29)
  1.  
Ch 5
Punc
 
. . . trouble you, the Hyatts won’t. (58) . . . trouble you—the Hyatts won’t. (29)
  1.  
Ch 5
Punc
 
. . . call down: “I wouldn’t. . . (59) . . . call down, “I wouldn’t. . . (30)
  1.  
Ch 5
Punc
 
. . . been less apprehensive: Mr. Royall . . . (63)
 
 . . . been less apprehensive; Mr. Royall . . . (32)
  1.  
Ch 5
Punc
 
. . . inside the house.   And I . . . (64) . . . inside the house; and I . . . (32)
  1.  
Ch 6
Punc
 
. . . into pale green, and then . . . (68) . . . into pale green and then . . . (35)
  1.  
Ch 6
Punc
 
“Yes, sir: right after it . . .” (72) “Yes, sir; right after it . . .” (37)
  1.  
Ch 6
Punc
 
. . . “Oh yes: there was a mother . . .” (73)
 
 . . . “Oh yes; there was a mother . . .” (37)
  1.  
Ch 6
Punc
 
. . . he stood up and (78) . . . he stood up, and . . . (40)
  1.  
Ch 6
Punc
 
. . . on the air, and a flock . . . (79) . . . on the air and a flock . . . (41)
  1.  
Ch 6
Punc
 
. . . brown house; she did not . . . (80) . . . brown house: she did not . . . (41)
  1.  
Ch 6
Punc
 
. . . her glance and smiled. “Is it that scrap of cloud . . . (80) . . . her glance and smiled: “Is it that thread of cloud . . . (41)
 
  1.  
Ch 6
Punc
 
But anyhow, we’ll get . . . (81) But anyhow we’ll get . . . (41)
  1.  
Ch 6
Punc
 
. . . Harney’s curiosity, and . . . (86) . . . Harney’s curiosity and . . . (44)
  1.  
Ch 6
Punc
 
. . . his head drooped; but a . . . (86) . . . his head drooped, but a . . . (44)
  1.  
Ch 6
Punc
 
Harney untied the horse, and they drove off . . . (87) Harney untied the horse and folded the horse-blanket about Charity, and they drove off . . . (45)
 
  1.  
Ch 7
Punc
 
. . . trailing in late and neglected . . . (89) . . . trailing in late, and neglected . . . (46)
  1.  
Ch 7
Punc
 
. . . part in their lives: Mr. Royall’s . . . (91) . . . part in their lives; Mr. Royall’s . . . (47)
  1.  
Ch 7
Punc
 
. . . length of the village, and . . .  (100) . . . length of the village and . . .  (52)
  1.  
Ch 7
Punc
 
. . . sudden discouragement, or distaste for his work and . . . (102)
 
. . . sudden discouragement, or distaste for his work, and . . . (102). . . sudden discouragement or distaste for his work, and . . . (53)
  1.  
Ch 7
Punc
 
. . . opened the window and . . . (104). . . opened the window, and . . . (104). . . opened the window; and . . . (54)
  1.  
Ch 7
Punc
 
. . . at her side on . . . (104). . . at her side, on . . . (104). . . at her side on . . . (54)
  1.  
Ch 7
Punc

 
there were others, worse endings that . . . (106)there were other worse endings that . . .  (106)there were other worse endings that . . .  (54)
  1.  
Ch 8 
Punc
 
. . . Harney had already left; but . . . (109)
 
 . . . Harney had already left, but . . . (56)
  1.  
Ch 8 
Punc
 
. . . to leave his veins and . . . (111) . . . to leave his veins, and . . . (57)
  1.  
Ch 8
Punc
But, then—if he wasn’t . . . (114)
 
 But then—if he wasn’t . . . (59)
  1.  
Ch 8
Punc
. . . got to know, to stop . . . (114)
 
 . . . got to know to stop . . . (59)
  1.  
Ch 8
Punc
. . . had happened now; something . . . (118)
 
 . . . had happened now: something . . . (61)
  1.  
Ch 8
Punc
 
. . . she pictured him, as she had seen him the night before, . . . (120)
 
. . . she pictured him as she had seen him the night before, . . . (120). . . she pictured him as she had seen him the night before, . . . (62)
  1.  
Ch 9
Punc Conv
. . . “Just starting for Greytop;” (131)
 
 . . . “Just starting for Greytop”; (68)
  1.  
Ch 9
Punc
. . . the Merry Widow while they . . . (131) . . . the “Merry Widow” while they . . . (68)
 
  1.  
Ch 9
Punc
. . . were closed offered, through wide . . . (133)
 
 . . . were closed offered through wide . . . (69)
  1.  
Ch 9
Punc
 
. . . or tiers of fancy-goods in . . . (133) . . . or tiers of “fancy-goods” in . . . (69)
  1.  
Ch 9
Punc
 
. . . background of dark blue velvet, pins, rings and brooches glittered . . . (134)
 
 . . . background of blue velvet, brooches, rings, and pins glittered . . . (69)
  1.  
Ch 9
Punc
 
. . . he asked leaning over . . . (134) . . . he asked, leaning over . . . (69)
  1.  
Ch 9
Punc
 
. . . he rejoined her and slipped . . . (135) . . . he rejoined her, and slipped . . . (69)
  1.  
Ch 9
Punc
. . . presents from their fellows, and was . . . (135)
 
 . . . presents from their “fellows,” and was . . . (70)
  1.  
Ch 9
Punc
 
. . . in a back street that called . . . (137). . . in a back street, that called . . . (137). . . in a back street, that called . . . (70)
  1.  
Ch 9
Punc
 
. . . zinnias and petunias and a big . . . (137)
 
 . . . zinnias and petunias, and a big . . . (70)
  1.  
Ch 9
Punc
 
. . . the next yard. (137) . . . the next “yard.” (71)
  1.  
Ch 9
Punc
 
. . . and quiet; and, from . . . (138) . . . and quiet; and from . . . (71)
  1.  
Ch 9
Punc
 
. . . to do next she was . . . (138) . . . to do next, she was . . . (71)
  1.  
Ch 9
Punc
 
. . . when he answered, “Oh . . . (138)
 
 . . . when he answered: “Oh . . . (71)
  1.  
Ch 9
Punc
 
. . . warm brow, said gaily, “Come along . . . (138-139)
 
 . . . warm brow, said gaily: “Come along . . . (71)
  1.  
Ch 9
Punc
. . . what was happening, Harney . . . (140)
 
 . . . what was happening Harney . . . (72)
  1.  
Ch 10
Punc
 
. . . from the darkness and again . . . (142). . . from the darkness, and again . . . (142). . . from the darkness, and again . . . (73)
 
  1.  
Ch 10
Punc
 
. . . a big performance like this, illuminated boats, . . . (143). . .  a big performance like this: illuminated boats, . . . (143). . . a big performance like this. And illuminated boats, . . . (74)
 
  1.  
Ch 10
Punc
 
. . . the Lake, too?” (143) . . . the Lake too?” (74)
  1.  
Ch 10
Punc
 
. . . curtains of darkness were descending, and in the intervals of eclipse the voices of the crowds . . . (146) . . . curtains of darkness were descending more and more thickly; and in the intervals of eclipse the voices of the crowds . . . (75)
  1.  
Ch 10
Punc
 
. . . she heard someone say, “You wait . . . (147)
 
 . . . she heard someone say: “You wait . . . (76)
  1.  
Ch 10
Punc
 
. . . bearing the inscription, “Washington . . . (148)
 
 . . . bearing the inscription: “Washington . . . (76)
  1.  
Ch 10
Punc
 
. . . erect, solemn and gigantic . . . (148) . . . erect, solemn, and gigantic . . . (76)
  1.  
Ch 10
Punc
 
A long “Oh-h-h” burst from . . . (148) A long, “Oh-h-h” burst from . . . (76)
  1.  
Ch 10
Punc
 
. . . blotches of anger and lips . . . (151) . . . blotches of anger, and lips . . . (78)
  1.  
Ch 10
Punc
 
“I said, ‘You—damn—whore!’ ” (152)  “I said: you—damn—whore!” (79)
  1.  
Ch 11
Punc
 
Charity knew that, although . . . (157) Charity knew that although . . . (81)
  1.  
Ch 11
Punc
 
. . . would not last long; in another . . . (157)
 
 . . . would not last long: in another . . . (81)
  1.  
Ch 11
Punc
 
. . . old man apostrophizing her in . . . (158)
 
 . . . old man’s apostrophising her in . . . (82)
  1.  
Ch 11
Punc
 
From under her pincushion she took the library key, and laid it in full view; then she felt at the back of a drawer for the blue brooch that Harney had given her. She would not have dared to wear it openly . . .  (158-159)
 
 From under her pin-cushion she took the library key, and laid it in full view, then she felt at the back of a drawer for the blue brooch that Harney had given her, and she put it in her bosom, beneath her dress.  (82)
  1.  
Ch 11
Punc
. . . that would have given her independence in a strange place, and she knew . . . (159)
 
 . . . that would have given her independence in a strange place; and she knew . . . (82)
  1.  
Ch 11
Punc
. . . a large sign bearing the inscription, “Gospel Tent.” (161)
 
 . . . a large sign bearing the inscription: “Gospel Tent.” (83)
  1.  
Ch 11
Punc
“Oh, Sister, don’t speak blasphemy. . . .”
 
 “Oh, Sister, don’t speak blasphemy . . .”
  1.  
Ch 11
Punc
 
“. . . not far from here; and the young man who is running the Gospel tent picked them up just as I was riding by.” (164)
 
 “. . . not far from here: and the young man who is running the Gospel tent picked them up just as I was driving by.” (85)
  1.  
Ch 11
Punc
 
. . . answered gently: “Very well: let’s go the other way, then.” (165)
 
 . . . answered gently: “Very well; let’s go the other way, then.” (85)
  1.  
Ch 11
Punc
 
. . . same wan silvery tint; the house . . . (166). . . same wan silvery tint: the house . . . (166). . . same wan silvery tint: the house . . . (86)
 
  1.  
Ch 11
Punc
 
. . . one has to make
allowances. . . . He’d been drinking. . . .” (168)
 
 . . . one has to make allowances. He’d been drinking . . .” (87)
  1.  
Ch 11
Punc
“I know all that, too. . . .” (168)
 
 “I know all that too. . . .” (87)
  1.  
Ch 11
Punc
 
“. . . feel about me,” she broke out, “. . . telling you such things. . . .” (169)
 
 “. . . feel about me,” she broke out . . . “telling you such things . . .” (87)
  1.  
Ch 12
Punc
 
. . . foreign talent: my young cousin Lucius Harney, the architect . . . (171)
 
 . . . foreign talent: my young cousin, Lucius Harney, the architect. . . (88)
  1.  
Ch 12
Punc
. . . it was not so much because of that as because it was Harney’s wish. (175)
 
 . . . it was not so much because of that, as because it was Harney’s wish. (90)
  1.  
Ch 12
Punc
 
. . . with an earthenware jar holding a big bunch of wild asters, two canvas chairs stood near by, and in one corner was a mattress with a Mexican blanket over it. (179). . . with an earthenware jar holding a big bunch of wild asters. Two canvas chairs stood near by, and in one corner was a mattress with a Mexican blanket over it. (179). . . with an earthenware jar holding a big bunch of wild asters; two canvas chairs stood near by, and in one corner was a mattress with a Mexican blanket thrown over it. (92)
 
  1.  
Ch 12
Punc
With part of what was left of her savings she had hired a bicycle for a month, and every day . . . (181) With what was left of the money Mr. Royall had given her she had hired a bicycle for a month; and every day . . . (93)
 
  1.  
Ch 12
Punc
 
. . . gave her a sense of hidden menace: it was . . . (183)
 
 . . . gave her a sense of hidden menace; it was . . . (94)
  1.  
Ch 12
Punc
 
. . . all came from the people she worked for; there could be no doubt that the white slippers were Annabel Balch’s. . . . (188). . . all came from the people she worked for.  There could be no doubt that the white slippers were Annabel
Balch’s. . . . (188)
. . . all came from the people she worked for.  There could be no doubt that the white slippers were Annabel Balch’s . . . (97)
 
  1.  
Ch 13
Punc
As Charity marched into it third in the white . . . (190)
 
As Charity marched into it, third in the white . . . (190)As Charity marched into it, third in the white . . . (98)
  1.  
Ch 12
Punc
 
. . . the green carpeted stage toward which she was moving; and of the unfamiliar faces . . . (190). . . the green carpeted stage toward which she was moving and of the unfamiliar faces . . . (190). . . the green carpeted stage toward which she was moving, and of the unfamiliar faces . . . (98)
 
  1.  
Ch 13
Punc
 
 . . . who had come up from Nettleton to play the harmonium and sat behind it, his conductor’s eye running over the fluttered girls. (190). . . who had come up from Nettleton to play the harmonium and sat behind it running his conductor’s eye over the fluttered girls. (190). . . who had come up from Hepburn to play the harmonium and sat behind it running his conductor’s eye over the fluttered girls. (98)

 
  1.  
Ch 13
Punc
 
He prayed energetically and briefly and then retired, . . . (191)
 
 He prayed energetically and briefly, and then retired, . . . (98)
  1.  
Ch 13
Punc
. . . illustrious men, including the obligatory tribute to Honorius Hatchard, drifted past . . . (192)
 
 . . . illustrious men, (including the obligatory tribute to Honorius Hatchard), drifted past . . . (99)
  1.  
Ch 13
Punc
. . . sat just below the desk, supported by Mrs. Miles . . . (192)
 
 . . . sat just below the desk supported by Mrs. Miles . . . (99)
  1.  
Ch 13
Punc
. . . ‘I’m glad I’m here.’ Believe me . . . (195)
 
 . . . ‘I’m glad I’m here––’ Believe me . . . (100)
 
  1.  
Ch 13
Punc
. . . look away from her guardian, and became aware . . . (199)
 
 . . . look away from her guardian and became aware . . . (102)
  1.  
Ch 13
Punc
. . . O Lord, in times to come, in all its homely sweetness . . . (199)
 
 . . . O Lord, in times to come in all its homely sweetness . . . (102)
  1.  
Ch 13
Punc
“Auld Lang Syne.” . . . Charity stared straight ahead of her and then, dropping her flowers, fell face downward at Mr. Royall’s feet. (199)
 
 “Auld Lang Syne” . . . Charity stared straight ahead of her, and then, dropping her flowers, fell face downward at Mr. Royall’s feet. (103)
  1.  
Ch 14
Punc
 
. . . she feared to stay away, she had sprung . . . (201)
 
. . . she feared to stay away––she had sprung . . . (201). . . she feared to stay away––she had sprung . . . (104)
  1.  
Ch 14
Punc
The sense of hastiness was gone from her and every moment . . . (203)
 
 The sense of hastiness was gone from her, and every moment . . . (105)
  1.  
Ch 14
Punc

 
The door opened, and Mr. Royall walked into the room. (204) The door opened and Mr. Royall walked into the room. (106)
  1.  
Ch 14
Punc
 
. . . she had been waiting for happened; the door opened again . . . (206)
 
 . . . she had been waiting for happened: the door opened again . . . (107)
  1.  
Ch 14
Punc
 
. . . not in Eagle County, anyhow. (207)
 
 . . . not in Eagle County anyhow. (108)
  1.  
Ch 14
Punc
 
. . . a frown on his face: he was twirling . . . from a loop of string. . . . (208)
 
 . . . a frown on his face; he was twirling . . . from a loop of string . . . (108)
  1.  
Ch 14
Punc
 
“No,” she said. “I forgot–– “No,” she said, “I forgot––” (109)
  1.  
Ch 15
Punc
. . . he intended to come back; her doubts were . . . (212)
 
 . . . he intended to come back: her doubts were . . . (111)
  1.  
Ch 15
Punc
 
But she seldom looked ahead; each day was so rich that it absorbed her. . . . (213)
 
 But she seldom looked ahead: each day was so rich that it absorbed her . . . (111)
  1.  
Ch 15
Punc
 
Harney had not fixed any date for his return; he had said he would have to look about first, and settle things. (213)
 
 Harney had not fixed any date for his return: he had said he would have to look about first and settle things. (111)
  1.  
Ch 15
Punc
 
. . . she got out a sheet of paper, and sat looking at it, and trying to think what to say; but she had the feeling . . . (213)
 
 . . . she got out a sheet of paper and sat looking at it, and trying to think what to say, but she had the feeling . . . (111)
  1.  
Ch 15
Punc
 
Coming from immeasurable distances and having lost most of its meaning on the way; and in reply she sent him a coloured post-card of Creston Falls, . . . (214)
 
 Coming from immeasurable distances, and having lost most of its meaning on the way; and in reply she sent him a coloured postcard of Creston Falls, . . . (112)
  1.  
Ch 15
Punc
 
The long storm was followed by a north-west gale, and when it was over, the hills took . . . (219)
 
 The long storm was followed by a north-west gale, and when it was over the woods took . . . (114)
  1.  
Ch 15
Punc

 
She had never known how to adapt herself; she . . . (220) She had never known how to adapt herself: she . . . (115)
  1.  
Ch 15
Punc
 
But the whole sunlit autumn whirled, reeled and roared around her as she dragged herself . . . (222)
 
But the whole sunlit autumn world reeled and roared around her as she dragged herself . . . (222)But the whole sunlit autumn world reeled and roared around her as she dragged herself . . . (116)
  1.  
Ch 15
Punc
 
. . . but with a swift movement, Dr. Merkle edged her from . . . (226). . . but with a swift movement Dr. Merkle edged her from . . . (226). . . but with a swift movement Dr. Merkle edged her from . . . (118)
 
  1.  
Ch 15
Punc
He was not trying to evade an importunate claim; he was . . . (230)
 
 He was not trying to evade an importunate claim: he was . . . (120)
  1.  
Ch 15
Punc
These things were hers; they had passed into her blood, and become a part of her, they were building the child in her womb; it was impossible . . . (231)
 
 These things were hers: they had passed into her blood, and become a part of her, they were building the child in her womb: it was impossible . . . (121)
  1.  
Ch 15
Punc
But there was none left; she must . . . (231)
 
 But there was none left: she must . . . (121)
  1.  
Ch 15
Punc
 
. . . she went down to Mr. Royall’s office. (232)
 
 . . . she went down to Mr. Royall’s office . . . (121)
  1.  
Ch 15
Punc
 
. . . she let him take her hands in his and they stood thus, . . . (232). . . she let him take her hands in his, and they stood thus, . . . (232). . . she let him take her hands in his, and they stood thus, . . . (121)
 
  1.  
Ch 15
Punc
. . . she knew that the candle light flickering up on her white face must be distorting her swollen features . . . (233)
 
 . . . she knew that the candlelight flickering up on her white face, must be distorting her swollen features . . . (122)
  1.  
Ch 15
Punc
. . . all the words that had been waiting had vanished. . . . (233)
 
 . . . all the words that had been waiting had vanished.  (122)
  1.  
Ch 16
Punc
. . . hardly grasped what Mr. Miles was saying; the physical relief (242)
 
 . . . hardly grasped what Mr. Miles was saying: the physical relief . . . (126)
  1.  
Ch 16
Punc
 
But presently she felt her tears rise and flow down . . . (243)
 
 But presently she felt her tears rise, and flow down . . . (128)
  1.  
Ch 16
Punc
. . . and he did not insist: but after a while he said, . . . (243)
 
 . . . and he did not insist; but after a while he said, . . . (128)
  1.  
Ch 16
Punc
 
. . . visions of this ascent of the Mountain but she had . . . (244)
 
 . . . visions of this ascent of the Mountain, but she had . . . (127)
  1.  
Ch 16
Punc
 
Left––” and they turned into a stunted pine-wood . . . (245)
 
 “Left––,” and they turned into a stunted pine-wood . . . (128)
  1.  
Ch 16
Punc
 
“. . . the night before: if you don’t take and quit, I says to her . . .” (249)
 
 “. . . the night before: ‘If you don’t take and quit’–––­­–I says to her . . .” (130)
  1.  
Ch 16
Punc
 
“. . . Where’d we get one here, I’d like ter know?” (250)
 
 “. . . Where’d we get one here I’d like to know?” (131)
  1.  
Ch 16
Punc
“Sit down, damn you!” shouted the tall youth . . . (252)
 
 “Sit down, damn you,” shouted the tall youth . . . (132)
  1.  
Ch 16
Punc
 
The young man on the bench who . . . (253)The young man on the bench, who . . . (253)The young man on the bench, who . . . (123)
 
  1.  
Ch 16
Punc
 
. . . the coat slipped to the floor, revealing the poor body . . . (253)
 
 . . . the coat slipped to the floor revealing the poor body . . . (253)
  1.  
Ch 16
Punc
 
“. . . Christ have mercy upon us, Lord have mercy upon us. . . .” (255)
 
 “. . . Christ, have mercy upon us, Lord, have mercy upon us . . .” (134)
  1.  
Ch 16
Punc
 
Mr. Miles knelt, too. (256) Mr. Miles knelt too. (134)
  1.  
Ch 16
Punc
 
. . . he said, and he began: “Our Father . . .” (256)
 
 . . . he said; and he began: “Our Father . . .” (134)
  1.  
Ch 16
Punc
 
. . . when he ended, the lank-haired man flung himself . . . (256)
 
 . . . when he ended the lank-haired man flung himself . . . (134)
  1.  
Ch 16
Punc
 
Her mournful withered face was not unkind, and Charity went up to her. (257)
 
 Her mournful withered face was not unkind and Charity went up to her. (134)
  1.  
Ch 17
Punc
But everything beyond was darkness. (264) But everything beyond was darkness . . . (139)
 
  1.  
Ch 17
Punc

 
. . . only one sensation had the weight of reality; it was the bodily burden of her child.  (264-265) . . . only one sensation had the weight of reality: it was the bodily burden of her child.
 
  1.  
Ch 17
Punc
. . . I brought hum along pretty quick, and . . . (266)
 
 . . . I brought hum along pretty quick and . . . (140)
  1.  
Ch 17
Punc
“. . . it was such a good job, either.” (267)
 
 “. . . it was such a good job either.” (140)
  1.  
Ch 17
Punc
He was standing on the other side of the table looking at her kindly and gravely; (269) He was standing on the other side of the table, looking at her kindly and gravely; (142)
 
  1.  
Ch 18
Punc

 
. . . the landscape those fervid hours had faded, too. (274). . . the landscape those fervid hours had faded too. (274). . . the landscape those fervid hours had faded too. (144)
  1.  
Ch 18
Punc
 
. . . she was the being who had lived them; she was someone . . . (274)
 
 . . . she was the being who had lived them: she was some one . . .  (144)
  1.  
Ch 18
Punc
 
He filled her cup and plate and whenever she lifted her eyes . . . (275)
 
 He filled her cup and her plate, and whenever she lifted her eyes . . . (145)
  1.  
Ch 18
Punc
 
. . . she had supposed herself to be living that even through the burning mist . . . (275)
 
 . . . she had supposed herself to be living, that even through the burning mist . . . (145)
  1.  
Ch 18
Punc
 
. . . together to a house covered with creepers and standing next . . . (276) . . . together to a house covered with creepers, and standing next . . . (145)
  1.  
Ch 18
Punc
 
As he turned and faced Charity, she noticed that . . . (276-277)
 
 As he turned and faced Charity she noticed that . . . (146)
  1.  
Ch 18
Punc
. . . her hands folded on her knee till the clergyman returned. (277)
 
 . . . her hands folded on her knee, till the clergyman returned. (146)
  1.  
Ch 18
Punc
 
. . . that had the same dread sound of finality: (278)
 
 . . . that had the same dread sound of finality . . .  (146)
  1.  
Ch 18
Punc
 
It lay enclosed in his strong palm and she felt a ring that was too big . . . (278)

 
It lay enclosed in his strong palm, and she felt a ring that was too big . . . (278)
 
It lay enclosed in his strong palm, and she felt a ring that was too big . . . (147)
 
  1.  
Ch 18
Punc
 
Oh, what have I done?” she whispered, shuddering to her pillow; (283)
 
Oh, what have I done?” she whispered, shuddering, to her pillow; (283)Oh, what have I done?” she whispered shuddering to her pillow; (149)
  1.  
Ch 18
Punc

 
. . . and in the darkness outlined against the grey square of the window, . . . (283). . . and in the darkness, outlined against the grey square of the window, . . . (283). . . and in the darkness, outlined against the grey square of the window, . . . (149)
 
  1.  
Ch 18
Punc

 
A few minutes later Charity went out, too. (285)A few minutes later Charity went out too. (285)A few minutes later Charity went out too. (150)
  1.  
Ch 18
Punc
 
But how about the responsibility and the insurance? (287)But how about the responsibility––and the insurance? (287)But how about the responsibility––and the insurance? (151)
 
  1.  
Ch 18
Punc
 
Now that there was no chance of ever seeing Harney again, why should she not tell him the truth? (289)
 
 Now that there was no chance of her ever seeing Harney again why should she not tell him the truth? (152)


 

This page has paths: